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Thursday, December 29, 2011

Delaware (Take Me Home)

A chaplain with Air Force Mortuary Affairs Operations, walks down the flightline toward the passenger terminal after a dignified transfer at Dover Air Force Base, Del. (U.S. Air Force photo)

Delaware
Music & Lyrics Copyright 2012 by Larry Knox
  
As the snow falls
boots echo down hallowed halls
handle me with care
as I lie in Delaware

As the robin sings
and the church bells ring
lilac fills the air
remember me in Delaware

   The cost of freedom 
   is paid in blood–
 the loss you're grieving
   may be healed from above

So if you hum this tune
under an amish harvest moon
consider this my prayer
for those bound for Delaware

 Now take me home


Dignified Transfer
An Air Force Mortuary Affairs Operations Center carry team wait for the remains of Air Force Staff Sgt. Phillip A. Myers, of Hopewell, Va., to be lowered from the aircraft at Dover Air Force Base, Del., April 5.  Sergeant Myers' family is the first to allow media to cover the dignified transfer under the new Department of Defense policy. 
(U.S. Air Force photo)











Thursday, December 15, 2011

Peace On Earth


Peace on Earth
Music and Lyrics Copyright 2011 by Larry Knox


Well I heard,
heard the bells
ring out 
on Christmas morn

And the message 
they tell
a child–a Savior born

And the angels proclaim...
They'll be Peace
Peace on Earth
Peace on Earth 
Good will to Men.

Friday, December 09, 2011

Sea of Tranquility




Sea of Tranquility
Music & Lyrics Copyright 2011 by Larry Knox

I said son
is there a reason
for this life--
who are we supposed to be?

He said Father
why do you even bother
were only specs of carbon
in this vast and empty sea

oh take me back
oh take me back
before my life
was revealed to me

I said daughter
what's this slaughter
of the young and innocent
yearning to be free?

She said father
you needn't bother
what's the point of drowning
in a sea of tranquility

oh take me back
oh take me back
before my life
was revealed to me

I said Mother
where's my brother?
I miss him so much
I call him and he won't answer me

She said son, son,
His time is done
Don't be sad, the time he had
was filled with grace and humility

oh take me back
oh take me back
before my life
was revealed to me

Thursday, November 24, 2011

Hearts on the Wind



Hearts on the Wind
Music and Lyrics Copyright 2011 by Larry Knox

I see your face
in the pale moonlight
a sweet embrace
in the forest night

The Great Spirit calls us
our hearts are on the wind
Mother Earth will join us
as we sing this song again

hey a-ya hey ya

Soon I must go
to hunt the sacred ground
the bear and the buffalo
we track without a sound

And the Great Spirit calls them
their hearts are on the wind
Mother Earth protects them
what you take–give back again

hey a-ya hey ya

There's a storm on the rise
and the snows will soon be falling
and now home this eagle flies
like the wolf–I hear you calling

The Great Spirit calls me
my heart is on the wind
Mother Earth will guide me
into your arms again

hey a-ya hey ya

Friday, June 03, 2011

War of the Worlds!



A few years ago I was asked to create an original book cover illustration for H.G. Well's War of the Worlds for the Prestwick House Touchstone Classic book series.

War of the Worlds is in public domain and hundreds of covers have been created for it over the years. The challenge was to create something that stood out from the rest while engaging the intended audience which in this case were high school English students and their teachers. I decided it would be fun (and a challenge) to show one of the Martians actually exiting from it's ship and confronting face to face it's human prey. While depicting a human would be no problem–a Martian on the other hand....hmmm...

Thinking tentacles, I thought a squid might make a great stand-in for an alien invader but where could I get my hands on one in short notice and in March no less!? Living within driving distance of a large city with a sizable asian community might offer my best chance in locating one. After wandering around a few open air markets and shops I found a barrel full of squid (right next to the live bullfrogs) in a small seafood shop. After examining a number of them, to make sure all their tentacles were intact, I purchased one for the surprisingly inexpensive rate of $4.00! I dunno, perhaps that's high for a freshly caught squid (I would have easily paid more)–but it fit my budget.

Placing the deceased creature carefully into my cooler full of ice I sped home to set up the shoot before things got...well, funky. A quick stop to a deep discount store along the way–grabbing anything I thought might make a good prop–completed my day.

And now for the fun part...

The squid was purchased one dreary March Saturday morning in a seafood market located in the Chinatown district of Philadelphia.


The squid laid out prior to setting up the scene.


Most of the props I assembled for setting the scene. I hacksawed the plastic dinosaur's head thinking it might make a great mouth, fangs and all–but ended up not using it as it looked a little too fake.


Using two cans of paint and some bungi cords I began to set up the alien ship's hatch which is actually a drip pan for the top of a gas stove.



Setting up the scene.



Experimenting with the lighting.



The candles give off nice orange glow and hint at fires reflected on the ships surface.




I tried hanging metal coils in front of the alien to give the effect of alien machinery such as probes or weaponery flailing about, independent of the unfolding scene.





Alien exiting. The probe on the right is a hand held shower head.






That's actually a marble shoved into the squid's "funnel"





A new approach. A little more 50's sci-fi. I fjgured while I had the squid in a fresh state I may as well photograph it in as many poses as possible. Not really intending to use these for War of the Worlds but perhaps another project down the road.




50's sci-fi alien. That's a toy plastic brain I shoved in between the squid's neck and his body.


Who couldn't love this face?





A co-worker photographed and placed in front of the scene gives scale to the image.

Title page graphic

Chapter page graphic.
Note the "death ray" coming from his "eye" and the glowing tips on the smaller tentacles. All details I as a high school student would have loved to see in my book. London burns in the background.

Finished back cover, spine and front cover


Sunday, May 01, 2011

Dream of Fire: Painting-Mash Ups

Mashing-up obscure paintings from long dead artists to create a cd cover of song demos...


This photo is a modern day mash-up. A local government building shot from an upward perspective and turned upside down, a co-worker wearing wings while holding a skull, finished off with a satellite shot from NASA.
The engraving ghosted in the background is from Dante's Inferno.






Saturday, April 30, 2011

The Cubicle Wars: Yoda Must Die!

Sometime last year, a co-worker and I kidnapped a fellow employee's treasured Burger King Yoda wind-up figure from her cubicle and held him for ransom. Thus began what became known as...The Cubicle Wars!

The reasons for the abduction are a little fuzzy now but it was all good natured and we had a blast creating and sending photos of the Master in various harrowing predicaments. A special "Force Inhibitor Visor" was created to explain the mighty jedi's inability to easily escape his captors. We posted the photos and demands on a blog and sent updates to the victims owner. I was also able to devise and photograph ever more insidious tortures upon the Jedi (without fear of actually harming him) after successfully tracking down a "clone" of the green one at a local flea market. After freezing him in clear carbonite, burying him up to his neck in the desert, he was finally melted into a lump of gears and plastic with a blowtorch and unceremoniously dumped on the owners desk.

In the end, the Jedi escaped and returned to his Cubicle after cleverly switching places with his clone. For the moment all is in balance with the Force...for now...


"There is now no need for the FIV (Force Inhibator Visor) as the Jedi has weakened to the point of rendering it all but useless. He will now be able to see the harbingers of his doom! Hahahahahahah….."


(Shot outside in the sun (to get the highlights off the ice) against a black plastic background while standing on dog cage panel. Darth Sidious, as his captor was revealed to be, is actually an old Edward Scissorshands figure.


(A strange metallic paperweight with telescoping clips (for notes or photos?) I had lying around is placed on top of the frozen Jedicicle adding a bit of inexpensive tech to the composition. A little photoshopping in the reflection completes the image.)



(Hanging the figure over a spillway in town during a lunch break.)


engine, engine, number nine

going down the railroad line

if the train should jump the track

you might just get your jedi back

(Shot on the way into the office one morning. Added the train's light in "post production".)




(These photos were shot using a flashlight in a completely darkened room.)