descent into the cave of the rabbit: March 2013

Prestwick House, one of the country's premier educational publishers with over 2,500 books in print and customers in every US state and territory, recently rebranded their popular line of classic literature books. Although most of the over 70 titles in the collection will retain their original cover art, a few volumes warrant a fresh approach.

Sold as two separate books, Homer's The Iliad and The Odyssey were prime candidates for new cover imagery. It occurred to me that this would be a perfect opportunity to re-design each so when laid side-by-side, they would form one continuous image–a technique I've always wanted to try. Essentially the covers would represent the journey taken by Odysseus from his service in the Trojan War to his ten-year voyage home to Ithaca.

Starting off, I knew I wanted 3 major elements: Helen of Troy, an archer, and a Cyclops.

Hoping to use them on a reprint of The Iliad one day, I took photos of my niece a few years ago when she wore a Grecian-style dress to her high school formal. So, Helen was done.

The Greek archer on the cover of The Iliad would double as Odysseus on the The Odyssey side–evoking the archery competition during which Odysseus out-shoots and slays his wife's unwanted suitors. I had the helmet from a previous photoshoot, but the key for this shot would be finding just the right bow and arrow for the period.

For Cyclops I had to look no further than across my office. Chris, a fortuitously one-eyed graphic designer, agreed to portray the one-eyed Polyphemus and for a mere 20 bucks was persuaded to shave his head for the shoot...well, not really, but he did grow out his beard.

Having never been pleased with the existing cover of The Odyssey, I asked my niece to pose as Helen back in 2009.

Setting up two light sources, each connected to the camera by a transmitter. I took over 75 shots using a 10-second timer, which allowed me to move the front light up or down and left or right.

Three Rivers Archery in Ashley, Indiana, was kind enough to donate the use of a Scythian bow, which is very similar to the ones used by the Greeks during the time of the Trojan War.

The arrow is wood, charred over a candle flame to get the decorative stripped effect.
I tied feathers to one end of the arrow with leather string and in Photoshop placed a public domain image of a Hellenistic era arrowhead on the other.

The helmet had been purchased on the Internet for a previous shoot.

Fellow designer, Chris agreed to model as the Cyclops Polyphemus. The rock weighed over 50 lbs so poses could be held for only a short time. We shot over 50 images.

A close-up photo to use for the Cyclops's eye

Photos from a bonfire taken many years ago have served me well on countless projects.
Photo by Larry Knox ©2013 All rights Reserved

I photographed these "Myth Clouds" a few years ago off Boca Raton, Florida.
Photo by Larry Knox ©2013 All rights Reserved

Another colleague from Prestwick House, who is an accomplished photographer, graciously allowed me to use this shot he took last fall off the coast of Maine.
Photo by David Zou. ©2013 All rights Reserved

An architectural detail photo I took in Alexandria,Virginia in 2011.

A poseable rubber snake was shot at various angles to depict the seven-headed monster Scylla at the whirlpool Charybdis.

A public domain image of the Trojan horse on display in China, along with numerous other public domain images including a painting of sailors clinging to the remains of ship at sea complete the details.

Once all the elements were either created or gathered, the process of working out the composition began...

"The voice of the sea speaks to the soul."

–Kate Chopin, The Awakening

Book cover for the Prestwick House Touchstone Classic edition of Kate Chopin's landmark work of early American feminism, The Awakening.

With the Atlantic Ocean standing in for the Gulf of Mexico, I photographed this on a very cold January day with the wind-chill at freezing or below. My friend held the metal cage dress form while I composed and took the shot. We'd set up and shoot 2 or 3 different compositions then make a mad dash back to the car to thaw out our freezing fingers and do it again. I can only guess what the crew manning the Ship Controlling Tower behind and above us, just over the dunes, were thinking.

Adding a studio shot of my model, along with a summer cloud photo from the same beach, I finish the composition in Photoshop.

Importing the finished illustration into an InDesign document I then add visual elements to the front and back covers that tie into the novel's use of caged birds, solitude, and escape from convention as symbols.